Yesterday I came across a line by poet T.S. Eliot that struck me so soundly that I drove immediately to the bookstore and got a copy of his book of verse Four Quartets.
Quick now, here, now, always–
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well …
(T.S. Eliot, “Little Gidding” V in Four Quartets
“A condition of complete simplicity / (Costing not less than everything)” … wow. As I read the rest of this section of verse, I realized I had heard many pieces of it before, but these two lines were like a sword piercing my soul.
Simplicity is a complex word. It’s nuanced and multivalent, seemingly contradictory in itself.
Main Entry: sim·plic·i·ty (Merriam-Webster)
1 : the state of being simple, uncomplicated, or uncompounded
2 a : lack of subtlety or penetration : innocence, naiveté b : folly, silliness
3 : freedom from pretense or guile : candor
4 a : directness of expression : clarity b : restraint in ornamentation : austerity
Depending on how you read it, simplicity can be a good thing or a bad thing. Which meaning did Eliot have in mind for these verses? And, perhaps more importantly, what meaning does the reader perceive as she or he reads these verses? Reading this, reflecting on it, has become a part of my prayer for today, a kind of lectio divina or “sacred reading” as I try to see what God might be saying to me through my being captured by these words.
I find that many times when I am struck soundly by something out of the blue that I can use the experience to “unpack” some kind of call from God. It might be a call to attend to a pressing concern, to explore an idea further, to grow in understanding God, etc. It’s an invitation to go deeper in a new way.
A couple questions for you … how do you read Eliot’s line about simplicity? Have you had a similar experience of being “struck soundly” by a word or image or other experience?
{ 6 comments… read them below or add one }
Have you read his Ash Wednesday poem? It blew me away when I first read it, and I keep coming back to it.
No, will have to look for it. Amazing writer.
I think T.S. Eliot’s work is very Catholic in its themes. This particular piece almost seems to speak to the crucifixion, a simple act of love that cost everything and makes all things well.
Reminds me of the Beatitude about the pure in spirit seeing God.
I’m seventeen and have known for five years that I’m going to be a nun. I had been sure for the past year and a half that this coming year I was going to go on NET (Netusa.org) and then was going to come home for college before entering the Sisters of Life in NYC. On Thursday my mom and I went to Ann Arbor for the first vows of the Sisters of Mary Mother of the Eucharist. Through some different things that happened there, God has shown me that I am supposed to join the SMME next year. It’s been one crazy week emotionally because while yes, I am incredibly excited that it’s going to happen so soon, it’s also been hitting me in the past few days that I’m going to be leaving really soon, and that’s not going to be easy at all. I don’t think that I’m going to have an extra hard time with the vows, I really don’t care about the world very much at all, I think the hardest thing for me is going to be leaving my family so soon because I’m the youngest of seven and we were all homeschooled so we spent all of our time together because we didn’t really have a choice. I’ve always been really close to my mom and dad, and I didn’t think I would be leaving this soon. What really touched me in the poem was
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well …
As I was reading that I really felt the Lord reassure me that even though it’s going to be really hard and cost not less then everything, it’s all going to be well because it’s He’s will for me.
JMJ+
~Betsy
Totus tuus Maria!
Eliot was an Anglican, of an Anglo-Catholic bent, which is why his work has catholic themes. The scene in Little Gidding is of a bombed-out house on a lane at daybreak, interspersed with descriptions of a shrine, Pentecost, the Crucifixion, and the costs in men in World War I.
Eliot has a recurring theme of the end being the beginning and the beginning the end, which to me immediately points to the Crucifixion: life in death. Really, it’s a very simple thing to do, to die in a traitor’s stead (as Aslan puts in The Lion, the Witch, and the Wardrobe), but has the ultimate cost — not less than everything. I like his recurring use of Julian of Norwich’s line.
As to the second question, these lines of Little Gidding always bow me to silence: